![]() ![]() Princeton and Princeton Reverb do not need the resistors. Safety), and two carbon composition 1500 ohm control grid resistors. Mounting screws, two 470 ohm screen grid resistors (Metal-Film Flameproof for Contains two phenolic 8-pin sockets, two "bear trap" retainers, four For vintage Fender™ amps (NOT Reissues!)įrom the original blackface and silverface eras which have two power tubes (6L6 Fender part number 099072500.įender™ Vintage Amp (60 ` s Blackface and 70 ` s Silverface) Power Tube Socket TUBE RETAINER WITH GRIP TEETH, DESIGNED FOR OCTAL TUBES WITH PHENOLIC BASE SUCH AS 6L6 OR E元4. Theseĭampers are NOT for 9-pin power tubes, such as the EL84 or 6BQ5. ![]() Note: Tube shields will not fit over the damper rings, and must be removed from the tubes. Set of 6 rings - will equip either 2 or 3 tubes, depending on the number of rings you choose for each tube. Will withstand high temperatures of pre-amp tubes, reusable when you change An economical alternative to more expensive tube dampers. Use two (or three) of these rings around a pre-amp tube to reduce noise and Shield and base only - socket not included. This is a great kit to replaced all 6 of the tube shields in many Fender™ amps TUBE SHIELD, BAYONET "PUSH AND TWIST" TYPE, ALUMINUM, 1 15/16" TALL, Replacement for Fender™ and many other brands. Fits 12AX7A and similarly sized preamp tubes. Spring in top of shield which fits over the TUBE SHIELD, BAYONET "PUSH AND TWIST" TYPE, ALUMINUM, 1 15/16" TALL. WITH 9-PIN TUBE SOCKET AND INTEGRAL TUBE SHIELD BASE. Overall she’s excellent & ready to be enjoyed by its next caretaker.TUBE SHIELD, BAYONET "PUSH AND TWIST" TYPE, ALUMINUM, 1 15/16" TALL Fresh from Mel’s private collection as its been on display mostly never leaving his music room for any gigs. It appears completely original & works quite well being serviced recently at the Amp Shop in W. This is the perfect amp for any studio work & light enough to move between gigs. Its cabinet is untouched loaded with 2 matching D912 12″ speakers dated to 1966 still sporting its original fiberglass stuffing. It has a date code of “QA” on its original Tube Chart inside the head which is for January 1967. Courtenay’s journey began during the Psychedelic era where vibrant colors and a free spirit were combined to create fun and whimsical clothing and dynamic art. It also includes its original silver sparkle grill cloth set w/its raised Fender logos still in place. What’s so cool about this amp set is its previous caretaker, Mel Grant, commissioned “Courtenay Tie Dye” who developed a tie dye style and folding technique which he called ‘Geometriart’ & became widely known for the many tie dye t-shirts, mandalas, speaker fronts and backdrops he created for ‘ The Grateful Dead’ and he became most remembered for his stage pieces. Its Black Face panel states “Fender Musical Instruments”. Its Black tolex on both its head & 2×12″ cabinet are super tidy. This is a totally GROOVY 1967 Fender Bandmaster Piggyback Amp set in very clean all original shape for that Grateful Dead collector. ![]()
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